Research
What This Research Explores
Film music is a precision emotional engineering system. A composer writing for picture does not approximate emotion – they construct it, at specific timecodes, against specific visual events. This research asks: can that construction be computationally modeled?
The lab investigates five interconnected questions:
Research Components
| Component | Domain | Status |
|---|---|---|
|
Acoustic Feature Extraction |
Music Information Retrieval |
Active · EXP-001 |
|
Emotion Annotation Framework |
Human-in-the-Loop AI |
In Development |
|
Cinematic Dataset Construction |
Data Engineering |
Ongoing |
|
Harmonic Tension Modeling |
Computational Musicology |
Experimental |
|
Narrative Emotion Arc Mapping |
Computational Storytelling |
Theoretical |
|
Composer Interpretation System |
Human Annotation |
In Progress |
|
ML Emotion Classifier |
Supervised Learning |
Baseline Stage |
|
Spectral Suspense Detection |
Audio Signal Processing |
Experimental |
System Architecture
The system architecture is designed around a single principle: each layer must be independently interrogable. The pipeline operates across four abstraction layers:
Get in touch
Bernard Consuting
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Email
bernard@vgoshinfo.com
Phone:
+1 (954)-804-4785
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8th Floor, 88510, Miami, FL 33142